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Invitación Carvanales Culturales 2010

Since the first half of the twentieth century in our country's musical life emerged prominent composers who contributed significantly to the creation of choral works, however the understanding of both themselves and their creations is not disseminated to the thoroughness they deserve, with the Bicentennial Cultural Carnival framework for spreading the musical creation in Chile of the twentieth century.

Program:

- Vengo Del Rosal - Silvia Suoblette. Gil Vicente
text - Romance Of Rock. Opus 16 - Sunday Santa Cruz. Author's text
- Find - Alfonso Letelier. Text
Gabriela Mistral - El Velero - Alfonso Letelier. Text
Ines Letelier - Song of the Pines - Alfonso Letelier. Manuel Arellano
text - Lamb - Alfonso Letelier. Text
Gabriela Mistral - The Donkey in T - Gustavo Becerra. Text
Andrés Sabella - Poems with Pennants - Gustavo Becerra. Text
Andrés Sabella - Secret - Gustavo Becerra
- Serranilla - Pedro Humberto Allende
- Weddings - Hernan Ramirez. Nicolas Guillen Text

Madrigal Set

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DECLARACION PÚBLICA

The Joint Madrigal, University of Playa Ancha , NEVER compromised his participation in the concert on December 4, with the Work Handel's Messiah in Teatro Municipal de Viña del Mar. For this is an ERROR have mentioned to our group as part of the casts of the concert.

view of the comments on our "down" at the last moment, it becomes clear that it is not effective because the group has taken and will continue to play both codes and more complex as the work performed, the proof is our recordings of the Baroque Latin American (recommended by the Ministry of Education as audition material) and the CD Anthology of Vocal Music Chilena, so audio-visual records of the various codes assumed as Jesu Meine Freude, cantatas No. 4, 149, 40, 63 by JS Bach, among other , European madrigals, Chilean and French music of the twentieth century, and so on. You can see our blog in greater detail http://conjuntodemadrigalistas.blogspot.com/

worth mentioning that every time our group has made commitments with other musical groups, is done with a job that requires test times for a given style of the work undertaken, making a rigorous study before each concert, is the spirit of work that the Director and creator of the group, so each of its members has decided to take. Although all unpaid work done, we invest time and resources in our vocal training and musical study for each of the codes you decide to tackle.

No is our custom to "cancheos" even more when it comes to works that require a thorough and rigorous preparation, with stylistic analysis and proposals of interpretation, certainly not enough just to interpret a test. By contrast, the Joint Madrigal has historically been characterized by a serious work in order to make a contribution to culture and music, so our goal is far from falling into what for the last time has been seen in some of the music scene.

Therefore it seems pertinent to do this clarification.

set Madrigal